Need by 10 am EST tomorrow morning

2 disconnected 3 page tracts after a while an joined operations cited page including 5 sources in aggregate (at smallest 2 of the absorbed).  12 font; Times new roman; inrest spaced      These entries should not conceive abstract of the film you chose to tend, but should discuss your film’s kindred to the theorist you elect, to our evidence of speculative ideas and insights we plan in unconcealed, and/or to the assigned readings. They should too conceive rest circumspection to the film’s unfair correct and stylistic elements; that is, some of the subjoined: mise-en-scene, screenplay, acting, contrast, livery, lighting, editing, genre, gauge, tinge and how those interact after a while, represent, or contort your rendering of the film and theorist’s(s’) operation. These entries should be incomprehensive and melodious. The subjoined are film choices for each tract :      Theory in Action Tract 1—Eisenstein, Bazin, or Benjamin     Battleship Potemkin (Sergei Eisenstein, 1925)     Rome, Open City (Roberto Rossellini, 1945)     Bonnie and Clyde (Arthur Penn, 1967)     Taxi Driver (Martin Scorsese, 1976)     Songs from the Second Floor (Roy Andersson, 2000)    Theory in Action Tract 2- Belázs, Baudry, Mulvey or Silverman     Persona (Ingmar Bergman, 1966)     Il Conformista (Bernardo Bertolucci, 1970)     Videodrome (David Cronenberg, 1983)     Black Swan (Darren Aronofsky, 2010)     Ex Machina (Alex Garland, 2014)   Sources for tract are beneath including  course citation magnitude